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First of this trio was Weezer, and there’s something to be said of the fact that frontman Rivers Cuomo and the rest of the band still seem to be having a great time playing their old hits. The final three acts of the night showcased the talents of three very different established bands. A suggestion for their supergroup name: Rise Against the Machine (we’ll see ourselves out). Vocalist Tim McIlrath’s passionate performance of the song stood out as a particularly inspiring moment.Īs an added bonus: Rage Against the Machine’s Tom Morello joined the group to perform his song “How Long,” even using his teeth to play the guitar in a notably rock ‘n’ roll moment. But the group tackled a timely issue, the Los Angeles teachers’ strike, head on, dedicating “Re-Education” to the city’s protesting educators. It’s hard for any Rise Against set to not be at least a little political, given the nature of many of their songs. Rise Against followed directly after, getting heads banging in a high-energy set. When lead singer David Shaw prompted the audience to engage in a “crazy” dance party as a sort of therapy, he wasn’t the only one busting a move: everyone from the band’s drummer to saxophonist joined in, and it was an endearing moment for a clearly talented crew. Even still, the eight-piece group made the most of the space, and had the benefit of having so many people able to amp up the crowd. The Revivalists have a great vibe, and did put on a solid set, but it was hard for an all-focused-on-the-music group to follow an opening act that featured pyrotechnics and backflips, leading to a large portion of the audience to opt to go get drinks or chat outside. It almost didn’t seem fair to put the Revivalists, a true-blue roots rock band from New Orleans, directly after Twenty-One Pilots.